Big Squid Man is a long-time favorite artist of mine. I love the busy, detailed nature of his work that captivates your eye and guides it to many places around the piece. It seemed like a great opportunity for hard-surface modeling practice. The amount of props I had to create in the 10 weeks I had to complete this piece presented a challenge, but one that I was willing to take on. In the end, it made me appreciate the artist's work much more.